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1890 – England
Vampires are alive and well in North Yorkshire, leastwise in the minds of the uneducated. Librarian Rosa Edwards intends to drive a stake through the heart of such superstitions. But gossip flies when the mysterious Sir James Morgan returns to his shadowy manor. The townsfolk say he is cursed.
James hates everything about England. The weather. The rumours. The scorn. Yet he must stay. His mother is dying of a disease for which he’s desperately trying to find a cure—an illness that will eventually take his own life.
When Rosa sets out to prove the dark gossip about James is wrong, she discovers more questions than answers. How can she accept what she can’t explain—especially the strong allure of the enigmatic man? James must battle a town steeped in fear as well as the unsettling attraction he feels for the no-nonsense librarian.
Can love prevail in a town filled with fear and doubt?
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1814 – England
Will Seeking Justice Lead to Her Own Demise?
Second daughter of a baron—and a little on the mischievous side—Ella Pemberton is no governess. But the pretense is a necessity if she ever wishes to get inside of Wyckhorn Manor and attain the truth. Exposing the man who killed her sister is all that matters.
Lord Sedgewick knows there’s blood on his hands. Lies have been conceived, then more lies, but the price of truth would be too great. All he has left now is his son—and his hatred. Yet as the charming governess invades his home, his safe cocoon of bitterness begins to tear away.
Could Ella, despite the lingering questions of his guilt, fall in love with such a man? Or is she falling prey to him—just as her dead sister?
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1819 – England
Amelia Pembroke is in a unique position in Regency England: She can obtain financial freedom. But in order to do so, she must marry one of two gentlemen. The trouble is, she might be falling in love with another man entirely.
Everything changed the moment Amelia became heiress to Moorington Cross. A young widow and patient at Cluett’s Mesmeric Hospital, Amelia is stunned to learn that her doctor—and the only father figure she’s ever known—has altered his will naming her his primary beneficiary. Such an opportunity is beyond what any Regency-era woman could dare to dream—especially one with a sleeping disorder that finds her falling asleep at the most random of times.
There is, however, a perplexing condition attached to the will: she must wed one of two named men, wholly unknown to her. Doing so would provide her with a secure future. But how can she marry one of these men when her heart is intrigued by the charming solicitor, Mr. Hawkins?
Everything takes on a new sense of urgency—and danger—when Mr. Cluett is found dead in his bedchamber only hours after announcing his updated will. Now Amelia only has thirty days to decide which man she will marry. But she is just as determined to uncover the truth of her benefactor’s demise with the help of Mr. Hawkins. After all, this sudden turn of events couldn’t merely be a coincidence—could it?
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1815 – England
Even if there be monsters, there is none so fierce as that which resides in man’s own heart.
Enchanting Regency-Era Gothic Romance Intertwined with Inspiration from Mary Shelley’s Frankenstein
Travel writer Amelia Balfour’s dream of touring Egypt is halted when she receives news of a revolutionary new surgery for her grotesquely disfigured brother. This could change everything, and it does. . .in the worst possible way.
Surgeon Graham Lambert has suspicions about the doctor he’s gone into practice with, but he can’t stop him from operating on Amelia’s brother. Will he be too late to prevent the man’s death? Or to reveal his true feelings for Amelia before she sails to Cairo?
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1871 – England
Raina Bretton is a rag woman in London’s east end when a handsome stranger appears in a dank alley and offers her a glittering smile and a chance for adventure. Rothburne Abbey has a unique position for her, one that will take her away from her hardscrabble life and give her a chance to be a lady. Things she could only dream of might be coming true. But some dreams turn out to be nightmares.
Though Raina has traded squalor for silk and satin, something about the abbey is deeply unsettling. As she wrestles with her true identity, the ruin, decay, and secrets she finds at the heart of the old mansion tear at her confidence and threaten to reveal her for who she really is. Only one man stands between her and the danger that lurks within–and only if he decides to keep her biggest secret hidden.
Bride of a Distant Isle
1851 – England
An unforgettable romance set in Victorian England, Bride of A Distant Isle is the engrossing story of Annabel Ashton, who fights to save her family home and her mother’s honor while trying to figure out if the man she loves wants her—or just wants to use her to achieve his own ambitions.
Miss Annabel Ashton is a teacher at the Rogers School for Young Ladies in Winchester when she takes a brief visit to her family home, Highcliffe Hall at Milford-on-Sea. She believes her stay will be short but soon learns that she will not be returning to the safety of the school. Instead, she remains at Highcliffe, at the mercy of her cousin, Edward Everedge.
Annabel protests, but as the illegitimate daughter of a woman who died in an insane asylum, she has little say. Edward is running out of money and puts the house up for sale to avoid financial ruin. He insists that Annabel marry, promising her to a sinister, frightening man. But as the house gets packed for sale, it begins to reveal disquieting secrets. Jewelry, artifacts, and portraits mysteriously appear, suggesting that Annabel may be the true heir of Highcliffe.
She has only a few months to prove her legitimacy, perhaps with assistance from the handsome but troubled Maltese Captain Dell’Acqua. But does he have Annabel’s best interests at heart?
And then, a final, most ominous barrier to both her inheritance and her existence appears: a situation neither she nor anyone else could have expected. Will Annabel regain her life and property—and trust her heart—before it’s too late?
Mist of Midnight
In the first of a brand-new series set in Victorian England, a young woman returns home from India after the death of her family to discover her identity and inheritance are challenged by the man who holds her future in his hands.
Rebecca Ravenshaw, daughter of missionaries, spent most of her life in India. Following the death of her family in the Indian Mutiny, Rebecca returns to claim her family estate in Hampshire, England. Upon her return, people are surprised to see her…and highly suspicious. Less than a year earlier, an imposter had arrived with an Indian servant and assumed not only Rebecca’s name, but her home and incomes.
That pretender died within months of her arrival; the servant fled to London as the young woman was hastily buried at midnight. The locals believe that perhaps she, Rebecca, is the real imposter. Her home and her father’s investments reverted to a distant relative, the darkly charming Captain Luke Whitfield, who quickly took over. Against her best intentions, Rebecca begins to fall in love with Luke, but she is forced to question his motives—does he love her or does he just want Headbourne House? If Luke is simply after the property, as everyone suspects, will she suffer a similar fate as the first “Rebecca”?
A captivating Gothic love story set against a backdrop of intrigue and danger, Mist of Midnight will leave you breathless.
1890 – Illinois
Miriam watches the people jostle their way below the windows of her warehouse home, never thinking to look up at her as she paints their faces. But Miriam’s gift as an artist goes beyond a mere recording of what is: Miriam paints their futures. Only once was she wrong. One woman doesn’t match the future Miriam saw. The bright girl was supposed to grow into a respected businesswoman. Instead, Ione disappears nightly into the shadowed alley next to the cathedral with the other prostitutes. Then one night, while walking through the city fog, Miriam finds Ione broken and beaten. Miriam is forced to open her home to the stranger whose face she knows so well and open her life to change she never could have foretold. Women are missing—some found floating in the river, some never seen again. The deacon from the cathedral is the first to help. Soon Miriam’s solicitor, Michael, aids her in rejoining society so they might uncover the evil at work in the corrupt city…and awakens feelings she had never considered before. Finally engaged with the world she has so long observed, finally stirred by love and friendship, Miriam realizes the responsibility of her gifting. No longer can she just paint what will be. She must now help Ione find the future she is meant to have…and find her own along with it.