A Rose So Fair
1933 – Arkansas
Plucky Rose Linwood grew up on her grandfather’s Arkansas tenant farm, a life her two older sisters never cared much for. Working alongside her grandpa, though, Rose learned to love the land as much as he did. Now her sisters have married and moved on, Grandpa has gone to his eternal reward, and Rose is determined to make a go of the farm on her own. But crops have been slow to recover since the drought of 1930-31, and the whole country struggles in the grip of the Great Depression. Drifters looking for work or handouts roam the countryside, some of them up to no good, so Rose keeps her trusty Winchester rifle at the ready.
Caleb Wieland, Rose’s best friend, isn’t the farmer his late father was, and he’s about to lose his cotton crop to boll weevils. He’d let the farm go and search for work he’s more suited to, except he can’t desert his widowed mother. Besides, he’s been quietly falling in love with Rose since they were in grammar school, and the thought of leaving her behind is too much to bear. He’d give anything to win her heart, but Rose’s stubborn independence is proving as thorny as the flower for which she’s named.
Devil in the Dust
1933 – Oklahoma
Their small Oklahoma town is dying. Lillian remembers how acres and acres of wheat once waved under jewel-blue skies. Now the dirt stretches across the flat land as far as she can see.
Emma’s husband is missing. She keeps house, keeps her five children fed as best as she can, and keeps smiling as her hope fades. But when the days stretch to weeks, she faces the possibility that he will never come home. Left with the likelihood of losing their farm, and the ever-present pangs of hunger, she is forced to consider opportunities that, under normal circumstances, she would never contemplate.
Jessie, Emma’s oldest daughter, completes her tasks as if numb. Forced to wear her mother’s shoes to avoid the humiliation of bare feet, she watches the dead, dirt road for signs of life.
And then he comes.
His new car and shiny shoes and generous way with gifts and money catch Jessie’s eye, much to the dismay of her mother … and much to the concern of the minister’s wife, Lillian. He’s too smooth, too willing to help, and much too eager to spend time with a girl less than half his age. But who is to say he is not the miracle they all prayed for?
Lillian and her husband stand by, helpless, as they realize that the winds carry more than one kind of evil, and as they are all forced to decide where the evil lies: in hunger, or in hope.
A Trail of Crumbs
1935 – Oklahoma
“I believed it would have been a sin to stay inside when God had sent us such fine weather. According to Pastor Ezra Anderson, sin was the reason we’d got in the dusty mess we were in. The way I saw it, that day was God’s way of letting us know He wasn’t mad at us anymore. Just maybe He’d seen fit to forgive us.”
Pearl Spence has been through more in her young life than most folks could handle. But through it all, her family has been by her side. They may not be perfect, but they love her and they all love each other, come what may. That’s one thing Pearl no longer questions.
But the end of her beautiful day signals the beginning of the end of her secure life.
Now her family is fleeing their Oklahoma wasteland. Pearl isn’t sure she’ll ever see home or happiness again. Are there any crumbs powerful enough to guide her back to the dependable life she once knew?
Castles in the Clouds
1932 – Arkansas and Kenya
The first book in the Flowers of Eden series introduced readers to Bryony Linwood, an orphan trying desperately to provide for her sisters in the shadow of the Great Depression. In Castles in the Clouds, we meet one of those sisters—Larkspur Linwood, a young woman who has a passion for teaching but yearns for something more than life as a small-town Arkansas schoolmarm.
Young and impressionable, Lark mistakes a college professor’s interest for romantic love. When he offers her the chance to join his efforts to start a school in Kenya, she pictures herself bringing the light of knowledge to hundreds of African children eager to learn. But the menial tasks she’s assigned at the school aren’t so different from life on the farm where she grew up. Miserable and deflated, with her fragile heart broken, she gives up and returns home.
Enter Professor Anson Schafer, whom she met briefly in Kenya. Partially blinded from an eye infection he contracted there, Professor Schafer cannot return to Africa. He has come to Lark’s school to recruit teachers like her for a more modest venture—the founding of schools and relief efforts here in the U.S. for those struggling through the Depression.
Still stinging from her experience in Kenya, Lark is reluctant to risk leaving her familiar surroundings, but she knows how great the need has become, and—although this isn’t the exciting life she’d envisioned—she finally agrees. As they work side by side, Lark begins to realize that the deepest satisfaction comes not so much from what you do, or where you do it, but from the attitude of your heart.
1934 – California
Newly married to her childhood sweetheart, twenty-one-year-old Ruth Warren is settling into life in a Depression-era, East Texas oil town. She’s making a home when she learns that her young husband, Charlie, has been killed in an oil rig accident. Ruth is devastated, but then gets a chance for a fresh start: a scholarship from a college in Pasadena, CA. Ruth decides to take a risk and travel west, to pursue her one remaining dream to become a teacher.
At college Ruth tries to fit into campus life, but her grief holds her back. When she spends Christmas with some old family friends, she meets the striking and compelling Thomas Everly, whose own losses and struggles have instilled in him a commitment to social justice, and led him to work with Mexican migrant farmworkers in a camp just east of Los Angeles. With Thomas, Ruth sees another side of town, and another side of current events: the numerous forced deportations without due process of Mexicans, along with United States citizens of Mexican descent.
After Ruth is forced to leave school, she goes to visit Thomas and sees that he has cobbled together a night school for the farmworkers’ children. Ruth begins to work with the children, and establishes deep friendships with people in the camp. When the camp is raided and the workers and their families are rounded up and shipped back to Mexico, Ruth and Thomas decide to take a stand for the workers’ rights—all while promising to love and cherish one another.
Kathy Andrews is good at goodbyes. Her mother is sent to a sanatorium, her sister, left behind in Chicago, and her father, forced to roam looking for work. So she holds close to the only one she has left, her brother Danny. When the two go to live with the Marshalls in the sleepy town of Brighton, she doesn’t let anyone past hello. Elliott Russell frowns at his aunt and uncle’s generosity–even though he and his sister are on the receiving end. He frowns, too, at the uppity city girl with a chip on her shoulder whom he can’t get out of his head. When a tragedy rips apart what tenuous existence they manage to forge, will they find the sweetest place to be is in God’s will–or will they turn their backs on faith that fails to protect against pain?
Hope in the Land
1930s – Pennsylvania
When Henry Edison turns up in Lancaster County to survey farm women about their domestic contributions during the 1930s, the last thing Amish housewife Gloria Grabill has time for is the government agent’s unending questions. Gloria’s hands are already full with a farm to run alongside her husband, a houseful of children, and an English neighbor, Minerva Swain, who has been trying Gloria’s patience for forty years. Gloria’s oldest daughter, Polly, wants nothing more than the traditional path of an Amish farmer’s wife, but everything she does seems to push Thomas Coblentz further away. While the Great Depression shadows the country in gloom, can Amish and English neighbors in Lancaster County grasp the goodness that will sustain hope?
Room for Hope
1936 – Kansas
In a desperate time, can Neva find forgiveness for a grievous wrong—and make room for hope?
Neva Shilling has a heavy load of responsibility while her husband travels to neighboring communities and sells items from his wagon. In his absence, she faithfully runs the Shilling Mercantile, working to keep their business strong as the Depression takes its toll, and caring for their twins.
When a wagon pulls up after supper, Neva and her children rush out—and into the presence of the deputy driving a wagon carrying three young children. The deputy shocks her with the news that Warren and his wife have died, insisting it was their last request that the three children go live with “Aunt Neva.”
Neva’s heart is shattered as she realizes that Warren’s month-long travels were excuses for visits with his secret family. She wants nothing more than to forget Warren, but can she abandon these innocent children to an orphanage? Yet if she takes them in, will she ever be able to see them as more than evidence of her husband’s betrayal and love them the way God does?
A Cup of Dust
1935 – Oklahoma
Where you come from isn’t who you are
Ten-year-old Pearl Spence is a daydreamer, playing make-believe to escape life in Oklahoma’s Dust Bowl in 1935. The Spences have their share of misfortune, but as the sheriff’s family, they’ve got more than most in this dry, desolate place. They’re who the town turns to when there’s a crisis or a need—and during these desperate times, there are plenty of both, even if half the town stands empty as people have packed up and moved on.
Pearl is proud of her loving, strong family, though she often wearies of tracking down her mentally impaired older sister or wrestling with her grandmother’s unshakable belief in a God who Pearl just isn’t sure she likes.
Then a mysterious man bent on revenge tramps into her town of Red River. Ernie DuPre is dangerous and he seems fixated on Pearl. When he reveals why he’s really there and shares a shocking secret involving the whole town, dust won’t be the only thing darkening Pearl’s world.
While the tone is suspenseful and often poignant, the subtle humor of Pearl’s voice keeps A Cup of Dust from becoming heavy-handed. Finkbeiner deftly paints a story of a family unit coming together despite fractures of distress threatening to pull them apart.
1937 – California
Convinced that Hollywood holds the key to her future joy and contentment, Olivia Hawkins refuses to pay heed to the voices that warn her of the inherent dangers. Nathan Grant, an ordained minister has seen Hollywood ruin more lives than he cares to count, especially the one for which he carries a burden of guilt. He won’t stand by and watch it happen again. Excitement, rejection, and terrifying betrayal daunt Olivia’s journey and threaten her relationship with God. Caught in a struggle between worldly fame and fame in the eyes of the One who created her, she must decide which is of greater worth: stardom or true peace?