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1943 – Czechoslovakia
It’s 1943 and Anna Zadok, a Jewish Christian living in Prague, has lost nearly everything. Most of her family has been deported, and the Nazi occupation ended her career as a concert violinist. Now Anna is left to care for her grandmother, and she’ll do anything to keep her safe—a job that gets much harder when Nazi officer Horst Engel is quartered in the flat below them.
Though musical instruments have been declared illegal, Anna defiantly continues to play the violin. But Horst, dissatisfied with German ideology, enjoys her soothing music. When Anna and her grandmother face deportation, Horst risks everything to protect them.
Anna finds herself falling in love with the handsome officer and his brave heart. But what he reveals might stop the music forever.
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1914 – England
Willa Forsythe is both a violin prodigy and top-notch thief, which makes her the perfect choice for a crucial task at the outset of World War I–to steal a cypher from a famous violinist currently in Wales.
Lukas De Wilde has enjoyed the life of fame he’s won–until now, when being recognized nearly gets him killed. Everyone wants the key to his father’s work as a cryptologist. And Lukas fears that his mother and sister, who have vanished in the wake of the German invasion of Belgium, will pay the price. The only light he finds is meeting the intriguing Willa Forsythe.
But danger presses in from every side, and Willa knows what Lukas doesn’t–that she must betray him and find that cypher, or her own family will pay the price as surely as his has.
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1736 – Italy
Emilia Salvini dreams of marrying a man who loves music as much as she does. But in 18th-century Milan, her position as “second sister” means she’ll likely be sent off to a convent instead. Ironically, Emilia’s pious older sister, Maria, would gladly become a nun. But Father won’t allow it—her brilliant language skills are too important to his quest for noble status. Emilia’s only hope to avoid the convent is to prove that her musical talents are as indispensable as Maria’s skills. First, Emilia must earn the respect of the music tutor who has always disdained her, simply for being a girl. But before Emilia can carry out her plan, Mamma, her greatest supporter, dies in childbirth. In her sorrow, Emilia composes a heartrending sonata that causes the maestro to finally recognize her talent. He begins teaching her music theory alongside handsome violinist Antonio Bellini, the great-nephew of a wealthy marquis. The two begin as rivals, but making music together gradually melds their hearts. When Antonio abruptly quits their lessons, Emilia assumes it’s because her family isn’t nobility. More determined than ever to help Father acquire a title, she dedicates a set of compositions to Archduchess Maria Teresa. The archduchess is so impressed that she helps Father become a count. Having finally won Father’s favor, Emilia expects she’ll now be betrothed to Antonio. But the repercussions of her family’s new status threaten not only her dreams, but her sister’s very life.
The Chapel Car Bride
1913 – West Virginia
With her penchant for seeing the best in everyone, Hope Irvine sees a world full of good people in hard places. When her father accepts a position traveling in a chapel car as an on-the-rail missionary, she is determined to join him in his efforts and put her musical skills to good use by serving the mining families of West Virginia, saving their souls, and bettering their lives.
Luke Hughes shares Hope’s love of music and her love of God, but as a poor miner he knows he can offer her no future. Still, the notes she sings resonate in his heart. When she begins to travel with a young mine manager to neighboring counties, Luke can hardly suppress his jealousy. It isn’t until he begins to suspect these missions of mercy might be the mine manager’s cover for illegal purposes, though, that Luke feels justified in speaking up. But how can he discover the truth without hurting Hope or, worse, putting her in danger?
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1871 – Tennessee
A master violinist trained in Vienna, Rebekah Carrington manages to wheedle her way into an audition with the new maestro at the Nashville Philharmonic. But women are “far too fragile and frail” for the rigors of an orchestra, and Rebekah’s hopes are swiftly dashed when the conductor–determined to leave his mark on the world of classical music–bows to public opinion. To make matters worse, Adelicia Cheatham, mistress of Belmont Mansion and Rebekah’s new employer, agrees with him.
Nationally acclaimed conductor Nathaniel Tate Whitcomb is Nashville’s youngest orchestra leader. And despite a reluctant muse and a strange buzzing and recurring pain in his head, he must finish composing his symphony before the grand opening of the city’s new symphony hall. Even more pressing, he must finish it for the one who first inspired his love of music–his dying father. As Tate’s ailment worsens, he knows Rebekah can help him finish his symphony. But how can he win back her trust when he’s robbed her of her dream?
Two Ways Home
1892 – Washington
Mary Smith was never one to back down from a challenge. Her father’s health may be failing, but their dairy farm was her mother’s dream, and Mary will do whatever it takes to keep her father from selling it—even if it means sneaking off to the next town to earn money by playing the piano in a questionable establishment. No one seems to understand why home is so important to her, least of all her childhood nemesis who’s just wandered back into town.
When injured Texas Ranger Luke Thomas is forced to return to Pine Creek, Washington, he’s hailed as a hero and thrust into the town’s first race for sheriff. But no one knows the secret he carried to Texas, nor the secret he’s brought home. Setting his perfect aim on returning south, he refuses to get tied down by the town’s admiration, his brother’s disapproval, or the spirited, hardworking dairy girl who’s less annoying than he remembers.
But strange things are happening at the Smith dairy and in Pine Creek, and Luke’s instincts tell him Mary is in far more trouble than she realizes. One thing is certain: “home” is about to get more complicated for them both.
A Haven on Orchard Lane
1880 – England
Famed actress Charlotte Ward stepped away from the Victorian London stage five years ago. Now in desperate circumstances, she tries to restart her career–only to experience a complete collapse. Against her better judgment, Charlotte’s estranged daughter, Rosalind, comes to her mother’s rescue and moves her to a quiet English coastal village where her mother can evade the gossip columnists, at least for a time.
Charlotte is grateful to re-establish even tenuous family ties with Rosalind. As one with regrets over her own romantic past, she’s happy to see love blossom for her daughter. For Rosalind, however, it’s time away from teaching, and now she must care for the mother who wasn’t there for her. And what could possibly be more complicated than romance?
But there can be no permanent escape from the threats of recent months. As the privacy they seek is threatened, mother and daughter must make some difficult decisions–ones that jeopardize those they care about most.
1939 – Missouri
Gavin is determined to bring his sleepy hometown of Deer Lick, Missouri, into the electric age. But he doesn’t count on his wayward brother’s schoolhouse hijinks getting in the way—or the lovely teacher who sends Gavin’s heart into a tailspin.
Teacher Irene Delaney is a talented pianist who dreams of making music far beyond her small town. As the electricity humming between her and Gavin begins to grow, she worries falling for the striking man will douse her big-city plans. Can Gavin convince Irene she can keep her dreams—and they can still have forever?
Prelude for a Lord
1810 – England
At twenty-eight, Alethea Sutherton is past her prime for courtship; but social mores have never been her forté. She might be a lady, but she is first and foremost a musician.
In Regency England, however, the violin is considered an inappropriate instrument for a lady. Ostracized by society for her passion, Alethea practices in secret and waits for her chance to flee to the Continent, where she can play without scandal.
But when a thief’s interest in her violin endangers her and her family, Alethea is determined to discover the enigmatic origins of her instrument . . . with the help of the dark, brooding Lord Dommick.
Scarred by war, Dommick finds solace only in playing his violin. He is persuaded to help Alethea, and discovers an entirely new yearning in his soul.
Alethea finds her reluctant heart drawn to Dommick in the sweetest of duets . . . just as the thief’s desperation builds to a tragic crescendo . . .
The Butterfly and the Violin
1940s and Present Day – Austria and New York
A mysterious painting breathes hope and beauty into the darkest corners of Auschwitz—and the loneliest hearts of Manhattan. Manhattan art dealer Sera James watched her world crumble at the altar two years ago, and her heart is still fragile. Her desire for distraction reignites a passion for a mysterious portrait she first saw as a young girl—a painting of a young violinist with piercing blue eyes. In her search for the painting, Sera crosses paths with William Hanover, the grandson of a wealthy California real estate mogul, who may be the key to uncovering the hidden masterpiece. Together, Sera and William slowly unravel the story behind the painting’s subject: Austrian violinist Adele Von Bron. A darling of the Austrian aristocracy, talented violinist, and daughter to a high-ranking member of the Third Reich, Adele risks everything when she begins smuggling Jews out of Vienna. In a heartbeat, her life of prosperity and privilege dissolves into a world of starvation and barbed wire. As Sera untangles the secrets behind the painting, she finds beauty in the most unlikely of places: in the grim camps of Auschwitz and in the inner recesses of her own troubled heart.